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Jacobin focuses on cite and gyllenhaal, with context pulled from source reporting instead of recycled feed copy. Cross-checked against New Statesman.
What happened: swings for a radical, genre-bending reinvention of Bride of Frankenstein. But the result is a messy, overstuffed film that makes an awkward attempt at feminist relevance.
Cross-source context: New Statesman highlights maggie Gyllenhaal's new film follows a long history of men reanimating women
What to watch next: movement around cite, gyllenhaal.
Verbatim descriptions from source feeds — unedited, as received
Jacobin(far-left)
Maggie Gyllenhaal’s The Bride! swings for a radical, genre-bending reinvention of Bride of Frankenstein. But the result is a messy, overstuffed film that makes an awkward attempt at feminist relevance. Jessie Buckley stars in The Bride!. (Warner Bros. Pictures) Jessie Buckley achieves such a fine an
Read full original ›New Statesman(left)
Maggie Gyllenhaal's new film follows a long history of men reanimating women
Read full original ›New Statesman
Maggie Gyllenhaal's new film follows a long history of men reanimating women
2 sources · 2 evidence links
Swarm Claim
Maggie Gyllenhaal’s The Bride! Is a Monstrous Mess.
Jacobin · link
Maggie Gyllenhaal’s <cite>The Bride!</cite> Is a Monstrous Messswings for a radical, genre-bending reinvention of Bride of Frankenstein. But the result is a messy, overstuffed film that makes an awkward attempt at feminist relevance.
New Statesman · link
Who is Frankenstein’s Bride?Maggie Gyllenhaal's new film follows a long history of men reanimating women
Maggie Gyllenhaal's new film follows a long history of men reanimating women
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Maggie Gyllenhaal's new film follows a long history of men reanimating women
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